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Thursday, March 26, 2009

Car Audio Amplifier Info: Seriously Everything You'll Ever Need To Know

Amp Smarts:

Amplifiers are devices that take a teeny tiny audio signal from a pre-amp, some power from your battery, and pass it on as a big big audio signal to drive speakers.

The most important piece of advice I can give to you is to buy lots of power. To get the cleanest sound, it is absolutely essential to buy as much power as you can afford.

Here are some terms that you'll need to know when evaluating car audio amplifiers.

Watt: A watt is a measurment of power. Power is the ability to do work. In the case of amplifiers, the work is to move a speaker. Amplifiers come in all power ranges, from 20 watts per channel up to thousands per channel. When it comes to amplifiers, watts are described two ways:

RMS: An amp's power rating might say: 75W RMS x 4 CH @ 4Ω 14.4V This means that the amp is capable of 75 watts into 4 channels with 4 ohm speakers, and 14.4V of voltage. This amp is capable of providing that power if all of those conditions are met at all times. The truth is, even if you design your system to meet all of those conditions, it will not at all times. Speakers' impedences (measured in ohms, or Ω) change constantly while operating. Amps don't necessarilly put out the same power all of the time either, for example when a bass track is playing versus a much quieter track.

WHEN BUYING AN AMP, LOOK AT IT'S POWER RATING AS A MARKER FOR YOUR AMP'S CAPABILITY RATHER THAN WHAT IS LIKELY TO PUT OUT AT ALL TIMES.

However, I must also say that an amp's RMS rating is the one piece of information to look for to determine an amp's power.

CEA Compliant Power Output: This is (hopefully) going to become the industry standard for determining an amp's power output. This allows you to accurately compare two amps to each other, because you know that they were tested under the same conditions. To know why this is a good thing, click here...

MAX: Right under an amp's RMS rating, you'll see an amp's "MAX" rating. It is often double the RMS rating. The MAX rating is pure junk. Never pay attention to the max rating because it only shows what the amp is capable of in a laboratory setting. That kind of environment cannot be reproduced in the auto, and therefore the rating is misleading. An amp's max rating is proably about 50% more than the RMS. Never buy an amp based on it's Max rating. Ok, and lastly, because this makes you look like a total jerk, never ever ever say your amp is a 1000 watt amp because it has a max 1000 watt sticker on it, and ESPECIALLY if you bought your amp at the swap meet. 1000 watt amps are BIG and HEAVY.

Anyway, in summation, never buy an amp based on it's MAX rating.

CEA Compliant Power: (CEA=Consumer Electronics Association) This spec (if your amplifier includes it) is a new rating. The goals of this rating are to give a useful reference for amp comparison. In the "bad old days", amp manufacturers could pretty much claim whatever power output they wanted without specifying the testing methods. The CEA rating changes that. The CEA compliant power output specifies what power output you can expect when the following criteria are met: 14.4V, 4 Ohm speaker load and 1% distortion. You can now fairly compare two amplifiers to each other because you know they were tested in the same manner. Make sense? No? OK, look at it this way: If an amp has a CEA compliant output power of 100 watts per channel, you know that the amp is essentially equal to another amp with the same CEA rating. HOWEVER, you cannot compare this amp to another amp that is rated at 100 watts/channel RMS.

I am a big fan of this rating. FINALLY, there is a uniform standard for amplifier power output ratings. If an amp doesn't include this spec, then the manufacturer is probably trying to hide something.

Bridging: Many stereo and 4 channel amps allow you to "bridge". What you do with bridging is combine two channels into one, or four channels into two. This allows you to allocate more power to a single speaker, like a subwoofer for example. This is a handy feature for someone who has a stereo amp lying around, but they want to use all of its power to drive a single speaker. There's nothing wrong with bridging, and is often used for subwoofers.

Crossover: Many amps have a simple crossover built in. Basically, it will be a switch that will have three positions: high pass, low pass, off. High pass basically allows all of the higher frequencies to pass. This is handy if the amp is powering tweeters and mids. The low pass allows only the lower frequencies to be reproduced. This is handy if the amp is powering a subwoofer. Off means that all frequencies will be sent to the speaker.

Bass Boost: Some amps have a circuit that when switched on gives a boost to your bass. It is not essential, and I usually don't use it in my own system.

Frequency Response: This specification tells you what frequencies that the amp responds to. Higher frequencies are treble, lower frequencies are bass. The human ear can perceive from 20hz to 20,000hz (aka 20khz). Most amps will reproduce this frequency band with ease. Some will go above and beyond. Don't worry about that because usually CDs don't contain data out of that range, and even if they did, you wouldn't hear it! Some people talk about harmonics, and I don't know if it's true or not. But whateva. Read about this debate elsewhere.

Channel: Amps have channels that basically tell you how many loads it is built to drive. Loads=speakers, so a two channel amp will power two speakers.

Classes:

Different amps have different designs that all achieve the same thing (amplifying a musical signal), but achieve this in different ways. The way in which the amplifier is designed is refered to as its "class". There are 4 major types of classes, and an occasional oddball. I don't really know the technical differences between them, but it doesn't matter. We're just installing amps, not designing them!

A - Very good sound quality, very inefficient, uses boatloads of power, and wastes most of it in the form of heat.

B - Good sound quality, moderately efficient, uses a lot of power, wastes about half of it in the form of heat. Some "crossover distortion" present

A/B - Combination of classes A and B. At low volumes, uses the class A portion of the amp. At higher volumes, uses the class B portion of the amp.

D - So-so sound quality (but reproduces bass very well), highly efficient, uses minimal power, wastes very little of it.

Other classes: Whatever. They exist. I don't know if they sound better. Your ears are the best judge.

THD: This stands for "total harmonic distortion", but the D is all you have to pay attention to. Obviously, the lower this number, the better. You don't want your amps producing distortion and sending it to your speakers! It causes noise and speaker damage. The experts say any THD rating below 0.1% is inaudible, meaning you can't perceive it. But remember that distortion travels through all components, and is amplified by each one. So, having a low distortion amp, and other high distortion items in your system will reproduce distortion.

S/N Ratio: A Measure of how an amplifier silences backround noise. This spec is measured in db, and the HIGHER the s/n ratio, the cleaner your sound.

Speaker Level Inputs: This feature allows you to connect the amp to your system through speaker wires (instead of RCA cables). This feature is handy if you're adding an amp to your factory stereo system.

Preamp Outputs: This feature allows you to connect an RCA cable to the amp to supply a second amp with the musical signal. This feature is handy if you want to add a second amp without running a cable all the way from your head unit to the amp. Also, it allows you to add an additional amp to a head unit that may have only one set of RCA pre-outs.

Remote bass control: This feature allows you to control the bass output of the amp without having to adjust it on the amp. You can mount the control wherever's clever, and adjust the bass remotely.

HOW TO DETERMINE WHICH AMP IS BEST FOR YOUR SYSTEM:

How many channels is your system?
How to hook up those channels.
Features you want

Crossover:
Inputs:

speaker (hi level)

rca, pre-amp (lo level)

How many channels are you going to drive? We already discussed the ranges of stereo systems, so you need to determine how many speakers you're driving. Say you want to build an intermediate system with 6 speakers. You figure you want to amplify all 6 of those with a "real" amp. You can go a few routes: You can buy a 6 channel amp, or a 5 channel amp, and power your whole system. That makes life easy if you want to keep installation clean and simple. You could also power your speakers with multiple amps: One mono, one 4-channel, you could even use three stereo amps. If you want to get really fancy, you could bi-amp your component speakers, bringing your amp count to 3, 4, and 5 amps!

One way that you can get creative with your installation is through bridging. If you want to power 2 or more subs on a stereo amp, you can bridge it, or combine the two channels into one. From there, you can wire your subs in parallel or series to obtain the proper ohm load. It's an easy way to power multiple speakers on one amp.

To save money, you can always opt not to install an amp for the rear speakers. I often times just power them off of the head unit. If I am listening to music without rear passengers, I can just fade the head unit to the front, leaving me with the amplified front speakers.

Do you need an amp to have a crossover?

Crossovers come in handy when you are powering subwooers. Most amps can reproduce the entire range of human hearing. However, when we install subs, we only want them to reproduce bass. If the amp has a crossover, you can turn it on, and essentially tell the amp to only send bass to the subwoofers. Since subs can only reproduce bass, why have the amp waste energy sending the subwoofers frequecies it can't reproduce? LUNACY I TELL YA!

Inputs

speaker: These are called high-level inputs because the signal is already highly amplified. Get an amp with high-level inputs if you are integrating an amp with a factory head unit.

rca: These are called low-level inputs because the signal is not highly amplified. These inputs are RCA style, and are preferred because they produce lower noise. This is the best option if you are using an aftermarket head unit.

So, now you're really educated about amps. Don't worry. You can thank us later!

-Honest AEB

Alan Bayer is an entrepreneur and car audio enthusiast. He runs an eBay store selling car stereo install supplies:

stores.ebay.com/honest-aebs-autosound

He also has a GREAT website with car audio articles (such as the one from above). Also on the website, learn about car audio equipment, how to find the best equipment, how to install it, and save big bucks in the process!

www.honestaebs-caraudio.com

Subscribe to my magazine for free on the "Magazine" page

 

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Friday, March 20, 2009

Guitar Amplifiers - What They Are And How They Work

Chances are you?ve just bought your first Electric guitar and wish to find out all about guitar amps. Maybe you?re just curious as to how long amps have been around, how they work, or which to purchase. Whatever the reason, by reading this article, you?ll get answers.

History of the Amplifier

Guitar amps have been around for roughly 70 years now, having first appeared during the 1930s. The earliest amps had very poor high treble and bass responses. This was improved over time, as amps became better developed. During the ?60s, the guitar amp greatly evolved to where it is today when guitarists of that era experimented with deliberately overloading their amp to create Distortion. From that point on, most amps were provided with preamp distortion controls. Playing with distortion has since become an important part of Electric guitar playing.

Types of Amplifiers

There are two types of amps: solid state and vacuum tube amps. Additionally, there are some amps that combine both solid state and tube technologies. Most amps, especially the least expensive ones, are solid state because they are lighter and easier to repair than tube amps are. A lot of guitarists, however, prefer the tube amp due to the tube amp?s analog sensitivity, which they claim makes tube amps sound better. While this is probably the case, most beginners can?t afford to shell out the $500-$1000 it costs to buy a good tube amp. That?s why solid state amps are actually a good buy in some cases.

Solid state and vacuum tube amps come in combo (speakers and head) packages or separately. Guitarists who aren?t picky can just buy the combo, while those who are picky can ?mix and match? heads and speakers. This is useful for those looking to achieve a certain sound.

How Amps Work/What Watts Mean

Without going into a big, long, technical explanation, amplifiers basically take the vibration (sound) of the string(s) and amplify it, thereby increasing the sound. If you wish to find out more about the technical side of guitar amps, there are several good books that cover the topic pretty thoroughly.

Each amplifier has a certain number of watts. The higher the number of watts, the louder the sound produced by the amp is. Generally speaking, those who wish to play shows will want to get amplifiers with at least 30 watts, preferably at least 50 watts, especially if they plan on playing at larger venues.

Gray Rollins is a writer for GuitarsLand.com - a great site to learn about guitar equipment and how to play the guitar. To learn more about guitar amps, be sure to visit GuitarsLand.com today.

 

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Thursday, March 12, 2009

Car Amplifiers - Information You Shouldn't Be Without

An amplifier takes a signal from a source and makes it larger. This makes the sound louder. The hard part is amplifying the signal without adding any distortion. Amplifiers must have a power supply strong enough to keep them going and must store enough current to deliver all of the transients in the music.

How they work

A cassette radio or CD player produces a maximum of about nine real watts into four speakers given the power it gets from the car's electrical system. So what if you want more than nine real watts to power each of the speakers? You obviously need an amplifier. Amplifiers give more power allowing you to play your music more loudly. Amplifiers also improve the sound quality of music at all volume levels.

Features of Car Amplifiers

Here are some important facts you should be aware of if you want to choose the right amplifier...

? Bridging amplifiers are very flexible because they can be used in different system configurations. One amplifier can be used to power one, two, three or four speakers.

? Speaker-level inputs are the only way your amplifiers can get signals if your radio doesn't have RCA-type output jacks.

? Preamp outputs are very useful when creating a multi-amplifier system because they allow an un-amplified signal to pass out of one amplifier to another.

? Remote bass control is available in some amplifiers that have a port to add an optional control knob. This varies the amount of power going to the subwoofer driven by the amplifier.

? High-pass filters, low-pass filters and crossovers give you the flexibility to remove the frequencies you don't want to send to the speakers powered by the amplifier.

? Bass boost is available in some amplifiers. This lets you boost the bass significantly up to 18dB through a circuit.

An amplifier can have one channel of output or as many as eight channels. The most common amplifiers are two and four channel models but mono amplifiers are also becoming popular.

You can get great amplifiers and deals at CarAudioPlus. If you want to read more on car audio visit: car-audio-products-and-accessories.com

Chimezirim Odimba writes for CarAudioPlus.

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Car Amplifiers - Information You Shouldn't Be Without

An amplifier takes a signal from a source and makes it larger. This makes the sound louder. The hard part is amplifying the signal without adding any distortion. Amplifiers must have a power supply strong enough to keep them going and must store enough current to deliver all of the transients in the music.

How they work

A cassette radio or CD player produces a maximum of about nine real watts into four speakers given the power it gets from the car's electrical system. So what if you want more than nine real watts to power each of the speakers? You obviously need an amplifier. Amplifiers give more power allowing you to play your music more loudly. Amplifiers also improve the sound quality of music at all volume levels.

Features of Car Amplifiers

Here are some important facts you should be aware of if you want to choose the right amplifier...

? Bridging amplifiers are very flexible because they can be used in different system configurations. One amplifier can be used to power one, two, three or four speakers.

? Speaker-level inputs are the only way your amplifiers can get signals if your radio doesn't have RCA-type output jacks.

? Preamp outputs are very useful when creating a multi-amplifier system because they allow an un-amplified signal to pass out of one amplifier to another.

? Remote bass control is available in some amplifiers that have a port to add an optional control knob. This varies the amount of power going to the subwoofer driven by the amplifier.

? High-pass filters, low-pass filters and crossovers give you the flexibility to remove the frequencies you don't want to send to the speakers powered by the amplifier.

? Bass boost is available in some amplifiers. This lets you boost the bass significantly up to 18dB through a circuit.

An amplifier can have one channel of output or as many as eight channels. The most common amplifiers are two and four channel models but mono amplifiers are also becoming popular.

You can get great amplifiers and deals at CarAudioPlus. If you want to read more on car audio visit: car-audio-products-and-accessories.com

Chimezirim Odimba writes for CarAudioPlus.

 

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Tuesday, March 3, 2009

Guitar Lessons - Amplifier Buyer's Guide: Which One is Right for You?

SELECTING THE BEST TYPE OF AMPLIFIER FOR YOU

So, you?ve got your eye on an electric guitar, or an acoustic with a pick-up. Then you?re going to need an amplifier! But there?s such a huge range, it can be daunting to even know where to start looking. Well, there?s some key questions that can help guide you?

How good does the sound of my amp need to be?

Well, are you aiming to form a band and play some gigs, or just be able to hear your electric guitar in your bedroom? If you?re a bedroom player, then any old amp will do to get you started. It?ll come down to your personal preference as to how much you invest. If you want to get out and play live, then you might need to think about a quality amp - like a Marshall, Fender or other top brand. In the Pro Guitar Tips course, we devote a whole chapter to ?How to Get a Great Tone?, to help you decide between a solid state or valve amplifier. It could actually take over a whole blog, it's such a personal choice too. But as someone starting out, the next question you need to ask yourself is:

How loud do I need to play?

As loud as %&*^ing possible, I hear you say! Well, to simplify things a bit, amplifiers come in all different volume sizes. It?s fair to say the bigger the amp, the louder the sound. Amp power is rated by watts, with really loud amps ranging from 50-200 watts. If you?re just looking for a bedroom practice amp, then around 10 watts will do you nicely. If you want to be able play with a live drummer and still hear the sound of your guitar, then you?ll probably need 30+ watts of amp power.

How am I going to transport the amp?

I know a lot of guitarists who think they need the biggest amp. But I don?t know a lot of guitarists who do stadium sized shows! Bigger doesn?t necessarily make you play any better! Remember, the bigger your amp, the harder it?s going to be to transport to rehearsals and gigs ? at least until you get your own road crew! You don?t want to put too much stress on your back just trying to lift the thing. Use common sense! Most gigs you'll play will use PA systems, where a microphone is placed in front of the amp, which is re-amplified to be mixed with rest of the band to heard by the audience.

How much money should I spend on an amp?

If you?ve got a limited budget, then I recommend spending the bulk of it on your guitar. A better guitar will be easier to play and will deliver rewards when it comes to sound quality. You can always upgrade your gear, but it?s great to start with something with longevity. Exactly how much to spend on an amp comes back to your intended use, and personal preference. As usual, the more you spend the better the amp will sound. (The next figures are a rough price range guide in US and Australian dollars.)

Beginner: US $100-200 AUD $150-300
Intermediate: US $250-500 AUD $300-700
Professional: US $500-3000+ AUD $700-4000+

The combination of equipment is really important to your overall sound. A great amp with an average sounding guitar (and/or guitar player!) is still going to sound average. Trust your ears to tell you what sounds good, and practice hard!

Check out more guitar lessons here.

Pete Williamson is a professional guitarist for 2 x times number one artist Pete Murray and hard rock band Mammal. Pete no longer gives private lessons, but you can check out his 200+ guitar lesson online course at guitar lessons, where you can also sign up for a free guitar lessons eNews.

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Substance P - A Pain Amplifier You May Be Able To Restrict Using Your Subconscious

Substance P is a key neurotransmitter required to produce moderate to intense pain. Here's a natural method you may be able to use to help neutralize this pain-transmitting chemical.

To appreciate the importance of substance P in the pain process, it's helpful to review the three stages by which pain signals are transmitted to the brain:

• In Stage 1, a pain signal is generated in the body (the lower back, the joints, or other location of a pain stimulus) and is sent to the spinal cord. In Stage 1, substance P can trigger the inflammation that starts the pain signal on its way.

• In Stage 2, the signal is increased and sent to the pain processing center in the brain, the thalamus. In this stage substance P can be decisive in increasing the strength of the pain signal to a new level.

• In Stage 3, the signal is sent from the thalamus to the cortex, at which point you actually feel the pain.

Causing Inflammation In Stage 1

Normally pain signals are carried towards the brain, but in chronic pain the signals can get reversed and be carried back down into the body. This occurs in some types of neuropathic pain (nerve pain) when the central nervous system itself begins generating pain with no external stimulus involved.

If this process applies to you, you could be releasing substance P in some locations of the body, powerfully inflaming nerve endings in those areas. This creates highly painful inflammation even though nothing external to the central nervous system is causing it to happen.

Activating NMDA In Stage 2

A second problem is that substance P helps to activate NMDA (N-methyl D-aspartate). This is a powerful protein that ratchets the pain signal up to a new level.

A normal pain signal reaching Stage 2 does not trigger the release of NMDA. But if the signal is strong, and enough glutamate and substance P is present in the NMDA receptors on your Stage 2 nerve cells, NMDA is activated and the pain signal is seriously increased.

Visualization and Substance P

Through visualization statements it may be possible to focus your subconscious on reducing the impact of substance P in the pain process. This could be true for back pain or pain in the neck or other extremities, arthritis pain, fibromyalgia pain, or neuropathic pain (nerve pain).

Visualization statements represent the specific language that your subconscious wants you to read back to it to help ease your pain. They’re simple and are targeted directly at the main factors that could bring you relief.

You can obtain these statements by learning how to communicate directly with your own subconscious mind. The process is straightforward and can be done at home by working with a facilitator over the telephone. You you need no special skills and no previous experience in working with the subconscious.

• On one hand, the subconscious may indicate that it's possible to reduce the chance of inflammation in Stage 1 by restricting the release of substance P outside the central nervous system into the periphery of the body. It will probably suggest a visualization statement to help produce that result.

• On the other hand, your subconscious may also indicate that it's possible to reduce the likelihood of NMDA activation by limiting your release of substance P within the central nervous system itself. If so, it will probably provide a visualization to help achieve that effect.

Programming the Subconscious

The subconscious is quite powerful. When programmed through the very visualizations that it suggests, it may be able to turn episodes of uncontrolled pain caused by substance P into events over which you have a degree of control.

Ben Plumb is CEO and President of The Visualization Group, Inc. The company’s service is delivered by people like himself who personally suffered from years of chronic pain, and used the visualization method described in this article to obtain relief when nothing else worked. For more information, please visit http://www.thevisualizationgroup.com.

(c) 2005 The Visualization Group, Inc. All Rights Reserved. The methodology and program disclosed in this article are Patent Pending.

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